what is a dark precursor?

a dark precursor.

To approach a better understanding of the dark precursor, we turn to the pages of Difference and Repetition in which that concept first appears. There, Deleuze discusses how systems emerge from the chaos of the eternal return. A system is composed of two or more heterogeneous series which enter communication in the exchange of pre-individual intensities from which full-fledged phenomena emerge. That disparate series enter into communication begs the question as to whether there really was some minimal resemblance there all along or whether an overbearing third party forces an identity between them. In other words, the question at hand is: do heterogeneous series take resemblance and identity as conditions for their communication after all?

The dark precursor is Deleuze’s response in the negative–that systems emerge by difference alone. After a series of questions about the place of difference in emergent systems, Deleuze writes “Thunderbolts explode between different intensities, but…

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call: athleticism and its discontents

yoga stretches in doorways
in rooms that separate sleep from
eating and
writing and
only for a few minutes
after crawling out of the insect sac
getting a back ache while writing
after 10 hours
looking in the mirror
doing the 8 Brocades

[ the wedding space ]

‘Sportif au lit’: Athleticism and Its Discontents

Inaugural Colloquium: April 1-3, 2016     |     The Wedding Space, Berlin

Deadline for papers and other work: March 1, 2016

Cell Dislocation.jpg

In “Literature and Life,” Gilles Deleuze refers to Henri Michaux’s “Athlete in bed” poem to explain what he means when he calls literature athletic. Bedridden due to chronic illness, Michaux could barely walk, but in his dreams he is an olympic skater, a diver, a swimmer, skilled almost beyond imagination. As soon as he closes his eyes, he is an extraordinary athlete. Deleuze describes literature as athletic by means of flight and defection– a ‘minor’ athleticism that flirts with madness in order to uproot dominance and oppression. In other places, like his book on painter Francis Bacon, Deleuze has borrowed the term “affective athleticism” from Antonin Artaud to articulate the intense disfiguration that attempts to manifest in painting. In his own manifestos on theater…

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